SONATINE FOR FLUTE AND PIANO. BY PIERRE BOULEZ. A Written Document. Submitted to the Graduate Faculty of the. Louisiana State University and. Georges Barrere, for whose platinum flute Varese wrote his ground-breaking Bernold and Tharaud seize on the energy of Boulez’s Sonatine, which. Boulez – Sonatine. Uploaded by. José F. Alvarenga · Alto Flute, Boulez Marteau Sans Maitre. Uploaded by. Montserrat López Montalvo · Pierre Boulez – Rituel in .

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Genre Chamber Music Classical. Le Domaine Musical, Vol.

Song of a Desert Bird: The all-time greats Read about the artists who changed the world of classical music. Introspection Late Night Partying. The piece itself is rather short, but full of energy, with huge melodic leaps, sharp rhythmic and tempo contrasts, and an aggressive quality which never lets up until the conclusion of the piece. Streams Videos All Posts. Le Domaine Musical, Sonatines for flute and piano.

Also, he has limited some of his divisions of the twelve tones into groups of five, five, and two, with the use of the motif tritone to fifth.

Drinking Hanging Out In Love. The Sonatine for flute and piano serves as sknatina perfect example of some vlute the stylistic variations Boulez took from his contemporaries, and why, years later, this work and those like it are still examined for their innovative qualities.

While it’s true that Boulez may have gotten the core of this idea from Sonatlnait has a life of its own in Boulez ‘ hands.

Boulez/Dutilleux/Jolivet et al – Sonatines for Flute and Piano

The first five-note theme which appears in the flute part does show up in various stages throughout the piece; keeping the piece united, these act as a landmark throughout the piece. Georges Barrere, for whose platinum flute Varese wrote his ground-breaking Densite Sonatine; Piano Sonata No. The twelve-tone materials used in this work are easily seen by a quick look at the flute opening. Share on facebook twitter tumblr.


It is rare that a complete statement of the entire twelve tones be completed in one of Boulez ‘ works; however, we get a rare glimpse of this unique entity here.

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Sonatine, for flute & piano | Details | AllMusic

The Sonatine was written on commission for flutist Jean-Pierre Rampalwho curiously never played it because of his extreme dislike for fflute work.

Rainy Day Relaxation Road Trip. Boulez himself has stated the work along with its counterpart, the First Piano Sonata draws a fair amount from Schoenbergspecifically his Chamber Symphony.

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The Schoenberg work is written in a post-Romantic style, while the Sonatine is most definitely serialism at its finest. This, Jolivet seems to be saying, is what the faun might have played before sex addled his brain.

If 51 sonatinq seems a touch short for a CD these days, at least we have the pleasure of knowing that every note on this disc is quality-assured. Composition Artist Credits Sonatine. In both Densite The French Avant-Garde in the 20th Century. From this work of his predecessor, Boulez took, more than anything else, the idea of “the metamorphosis of a single boulze.


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But here is proof that atonality can be fun. Upon closer examination, it also appears that the choice of intervals used is limited to major thirds, sevenths, tritones and perfect fifths. AllMusic relies heavily on JavaScript. Throughout most of the work, there is no true connective tissue between the flute and piano parts past the pitch choices, which perhaps leaves the variations on tempo, texture, and timbre as the unifying structure to the entire work.

Chant de Linos; Boulez: Please enable JavaScript in your browser to use the site fully. Skip to main content. Boulez ‘ writing is twelve-tone in its basic pitch material, and virtuosic in its use of the timbres, unique combinations of textures, shifts in dynamic accents, etc.

Sonatine | work by Boulez |

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While much of the music of Boulez depends upon serial and twelve tone techniques, there is no doubt that his use of these techniques is unique. The Now and Present Flute. Gramophone products and those of specially selected partners from the world of music. The piece gets its life from the sonatian push and pull of the tempo. And, with the minor reservations mentioned above, that goes for the performances, too.